Our Past Productions
Our 2016-17 Company
Actors’ Equity Association (AEA) was founded in 1913 as the first of the American actor unions. Equity’s mission is to advance, promote, and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers, and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits, including health and pension plans for its members. Through its agreement with Equity, Tennessee Shakespeare Company has committed to the fair treatment of the actors and stage managers employed in this production. AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.
E. Frank Bluestein (Executive Director) is the 1996-1997 Disney National Performing Arts Teacher of the Year and the 1994 Tennessee Teacher of the Year. In October of 1998, USA Today named Mr. Bluestein as one of the top 40 teachers in the United States. Mr. Bluestein is a past winner of the American Theatre Association's John C. Barner Award, a national award given to one secondary school teacher whose theatre program is judged most exemplary for the year. He has served as an arts advisory panelist for the National Endowment for the Arts, the College Board Arts Advisory Committee, the Council of Chief State School Officers, and the Tennessee Arts Commission. Mr. Bluestein is a former president both of the Tennessee Alliance for Arts Education and the Germantown Arts Alliance. He currently serves as managing director of the Tennessee Arts Academy, a nationally-recognized statewide teacher training institute located in Nashville, TN. He has twice been named to Memphis Magazine's Who's Who in Memphis poll, and was presented a community service award for his accomplishments in education by the National Conference of Christians and Jews. Until his recent retirement, Mr. Bluestein served for 37 years as the chairman of the Germantown High School Fine Arts Department in Germantown, TN. He was the founder and Artistic Director of the school's theatre, the Poplar Pike Playhouse, and also served as Executive Producer for Germantown Community Television (GHS-TV), the school's three-million-dollar educational television facility. In 1984, he helped the Germantown High School Department of Fine Arts become one of eight secondary schools in the nation to be chosen to receive the prestigious Rockefeller Brothers Fund Arts in Education Award. Graduates from his program include Saturday Night Live star Chris Parnell; film, television, and stage actress Missi Pyle; Emmy-winning casting director (Desperate Housewives & NYPD Blue) Scott Genkinger; NPR reporter Debbie Elliott; and Blue Man Group actor Wes Day. During Mr. Bluestein's tenure, Germantown Community Television received over 130 first place Hometown Video USA awards for its programming and was named eleven times by the Alliance for Community Media as the Best Community Access Station in the USA, most recently in 2013. The studio has been recognized with regional Emmy and Cable Ace Award nominations. Mr. Bluestein also participated in the educational programs of the National Television Academy of Arts and Sciences and led his team of teachers and scores of students to win two national student Emmys (National Student Television Award of Excellence) for sports (2004) and writing (2007) as well as 33 regional first-place student Emmy awards. Mr. Bluestein has served as a director of shows at Opryland, USA, and most recently wrote and directed the national touring production of Beale Street Saturday Night starring blues legend Joyce Cobb. In September 2013, he was inducted into the Educational Theatre Association’s Hall of Fame in Minneapolis. Mr. Bluestein is a frequent speaker and writer on arts-related issues.
Marquis Dijon Archuleta (Actor/Teaching-Artist Fellow; Friar Lawrence/Tybalt/Peter in The Romeo and Juliet Project; Borachio/Balthasar/Friar in Much Ado About Nothing) is ecstatic to be working with Tennessee Shakespeare Company for the first time. He is a graduate of the University of Montana’s School of Theatre & Dance program with a Bachelor of Fine Arts degree and a minor in Psychology. A few credits include: Of Mice and Men (Crooks), Cyrano De Bergerac (Comte De Guiche), Pentecost (Antonio), Pippin (Louis) Romeo and Juliet (Lord Capulet), and Jesus Christ Superstar (Simon Peter). He thanks TSC for giving him this opportunity, and his friends, family, and professors for supporting him.
Jillian Barron (Actor/Teaching-Artist Fellow; Nurse/Lady Montague/Paris's Page in The Romeo and Juliet Project; Margaret/Watch #1 in Much Ado About Nothing) is a native Illinoisan who moved to Memphis in 2013 after receiving her B.A. in Theatre Performance and French Literature and Culture from Union University. Past Credits: Byhalia, MS at Playhouse on the Square (Ostrander Nomination), Dirty Rotten Scoundrels at GCT (Ostrander Nomination), and In Search of Tonto Goldstein at The Women's Theatre Festival of Memphis (Global Premiere). She thanks her wonderful and supportive parents, Jim and Tricia Barron, and her darling husband, Zach Williams.
Adela Calzada (Dill in To Kill A Mockingbird) is so excited for her first theatre experience outside of school plays and theater classes that she loves to participate in at Hutchison! Adela also loves ballet, playing bass guitar, and competing with her Destination Imagination team at Hutchison.
Anne Marie Caskey (Assistant Director/House Manager for To Kill A Mockingbird) has taught and directed theatre at Hutchison School for 25 years. She is the recipient of the Myrna Colley-Lee and E’dena Hines Academic Chair for Excellence and The Ruthie and Bliss Bowlin Grant for Creativity. In addition to her work at Hutchison, Anne Marie has remained an active theatre artist in the Memphis community. She has performed and/or directed at Playhouse on the Square, Circuit Playhouse, Theatre Memphis, Voices of the South, Desoto Family Theatre, and Hattiloo Theatre. She has been nominated for eight Ostrander Awards for acting and/or directing. She is thrilled to work with TSC, which she holds in high regard for their artistic excellence and community outreach.
Chris Cotten (Mr. Gilmer/Arthur Radley in To Kill A Mockingbird) has been performing and directing in theatres in the Memphis area for almost 30 years. Some favorite recent roles include Big Davy in Billy Elliot at Playhouse on the Square; Burl Sanders in Sanders Family Christmas at Circuit Playhouse; Corin in As You Like It, Zach in A Chorus Line, and Watson in Sherlock Holmes: The Final Adventure at Theatre Memphis; David in Ring of Fire: The Music of Johnny Cash (which he also directed) at Germantown Community Theatre; and Jean Shepherd in A Christmas Story: The Musical at Harrell Theatre. Chris holds an MFA in Theatre with a concentration in directing from the University of Memphis, where he directed Moliere’s The Misanthrope and Bash: Latterday Plays, among other projects. As a playwright, Chris’ play What I’m Thinking, Since You Ask was a finalist in Actors Theatre of Louisville’s National Ten-Minute Playwriting Contest and was later staged by Playhouse Nashville; and his play The Double, Half-Broken Line was staged by The Company of Pittsburgh as part of the Pittsburgh New Works Festival.
Caroline Couch (Mayella Ewell in To Kill A Mockingbird) is a freshman at Hutchison School and is a newcomer to Tennessee Shakespeare Company. Her credits include several productions at Grace-St. Luke’s Episcopal School, notably The Lion King, Jr. (Scar), Funhouse, and The Merry Wives of Windsor (Shallow). Additionally, Caroline has performed with Kudzu Playhouse in her hometown of Hernando, Mississippi.
Marlon Finnie (Lord Capulet/Apothecary in The Romeo and Juliet Project) is a recent graduate of University of Memphis with a Bachelor’s Degree in Communications and Fine Arts. Some of his favorite credits there include Sam (Blues for an Alabama Sky), Ferrallion (A Flea in Her Ear), Judge (The Government Inspector), and the Porter (Macbeth). He is ecstatic to be a part of the Tennessee Shakespeare Company family, and he hopes to inspire and be inspired throughout the duration of this project.
Jeremy Fisher (Lighting and Scenic Designer/Technical Director for To Kill A Mockingbird; Lighting Designer/Technical Director for Much Ado About Nothing) TSC: To Kill A Mockingbird, All’s Well That Ends Well, Twelfth Night, Richard III, The Taming of the Shrew, Unto the Breach, It's a Wonderful Life: A Live Radio Play, and Hamlet. He is the Resident Lighting Designer for Theatre Memphis. Recently, Jeremy completed the lighting design for the Broad Avenue Water Tower and was awarded the Tennessee Arts Commission Individual Artist grant, awarded to an outstanding Tennessee artist. He has worked with Santa Fe Opera, Opera Memphis, Ballet Memphis, Busch Gardens, Oklahoma Shakespeare in the Park, and Northern Oklahoma College. Since moving to Memphis in 2011, he has been nominated for nine Ostranders with two wins for his lighting designs of Proof (2013) and The Addams Family (2015). Jeremy thanks his wife, friends, family, mentors, and colleagues for all their support.
Kristen Fisher (Associate Scenic Designer for To Kill A Mockingbird) is happy to be back working with TSC. She has been in a variety of positions with the company, including stage manager, assistant stage manager, props master, and sound designer. Previous shows include The Tempest, The Glass Menagerie, The Complete Works of William Shakespeare (abridged), It’s a Wonderful Life, Hamlet, The Taming of the Shrew, and Richard III. Kristen is currently in her fifth season as the Stage Manager and Production Coordinator for Ballet Memphis. Thanks to Dan for keeping her involved, and love to Jeremy as always.
Zoe Ford (ensemble in To Kill A Mockingbird) is a sixth-grader at Hutchison School. Her favorite subject is math. Zoe has been seen on stage in the Memphis community in Joseph and the Amazing Technicolor Dreamcoat at Theatre Memphis, A Wrinkle in Time and Harriet the Spy most recently on the Hutchison stage, and A Child's Garden of Verses and Where the Wild Things Are through Hutchison at Dixon Gallery & Gardens. She loves to write and play music. Zoe plays piano, keyboards, and drums and is lead singer with her Delta Girls Rock Camp band called Neptune's Landing. She thanks Hutchison and TSC for this unique opportunity.
Cara McHugh Geissler (Education and Community Relations Manager) is originally from Memphis and is in her second season as manager after serving as the 2013-2014 Journeyman Artist-Manager. Cara played Biondello in TSC's Taming of the Shrew and Lady Capulet in Romeo and Juliet. She received her M.F.A. in Theatre Performance from the University of Louisville in 2013 and her B.A. in Theatre and Political Science from Murray State University in 2009. While in Louisville, Cara taught children's theatre at Encore Youth Theatre and at Adelante Hispanic Achievers. She also taught for both the University of Louisville and Spalding University. Cara served on the Board of The Bard's Town Theatre in Louisville, where she performed in Misses Strata, Reasons to Be Pretty, and Just Like Life.
Ainsley Lorentz Geno (Scout in To Kill A Mockingbird) is extremely honored to make her professional acting debut with Tennessee Shakespeare Company playing her dream role. Ainsley, a fifth-grader at Hutchison School, lives in Collierville with her family. In addition to her theatre classes, her favorite subjects are math and creative writing. She has been selected for two years to be a member of Performing Arts of Germantown’s competitive dance group. Her dance groups have been the overall winner at numerous competitions, and she has been a two-time Mid-South Fair Junior Youth Talent finalist as both a dancer and vocalist. Ainsley would like to thank her director, Dan McCleary, for the faith he put in her to play a character as special as Scout. She thanks her dance teacher, Ms. Elizabeth Anne Brown, for her stage presence. She also thanks Ms. Anne Marie Caskey, Artistic Director of Theatre at Hutchison School, who gives her students a safe, authentic feel for the theatre. Ainsley dedicates her performance to her fifth grade classmates, her dance family, her family, and her dad, Damon Young, who is as real as they get!
Cynthia Quinn “CQ” Gintz (ensemble/Scout understudy in To Kill A Mockingbird) was seen on the Hutchison stage as Fortinbras in A Wrinkle in Time and as Pinky Whitehead in Harriet the Spy. She is an enthusiastic actor who feels she is already enjoying her calling at 11 years old. She is in the sixth grade at Hutchison School and discovered her love for acting when she was in the first grade. When not in the theater, you can find CQ singing, drawing, reading, hanging out with friends, or doing homework. CQ thanks her family, friends, and teachers for supporting her in her acting endeavors.
Kaitlyn Graham (ensemble/Dill understudy in To Kill A Mockingbird) is so excited to be in To Kill a Mockingbird. This is her third show in Memphis, and it will be her twelfth show overall. Previously, she lived in Birmingham, AL, and participated in Red Mountain Theater and Virginia Samford Theater. She is truly appreciative to be working with such a talented cast. She would like to thank her family, especially her Grandfather, for his constant encouragement and support.
James Dale Green (Heck Tate in To Kill A Mockingbird) is a veteran of many stage productions since making his acting debut at the age of 13 in Babes in Toyland. Since then, he has acted on almost all of Memphis’ stages and is delighted to be making his Tennessee Shakespeare Company debut. James Dale has a B.F.A. in Theatre from the University of Memphis, graduating in 1973. He also has performed with The Lyceum Theatre in Missouri and with The Kaleidoscope Players in New Mexico. Favorite Shakespeare roles include Puck in A Midsummer Night’s Dream at Theatre Memphis and the Fool in King Lear with New Moon Theatre. Other favorite roles are Candy in Of Mice and Men, Mr. Klemper in The Boys Next Door, Willy Lohman in Death of a Salesman, King Henry VIII in A Man for All Seasons, and Mozart in Amadeus. Besides theatre, James Dale enjoys playing the mandolin, singing, songwriting, and the occasional game of poker.
Jeanna Juleson (Stephanie Crawford in To Kill A Mockingbird) is excited to be a part of her second production with TSC, where last season she played the Widow in All’s Well That Ends Well. This season, she also performed as Mother Superior in Sister Act at Playhouse on the Square, Anna Patterson in The Country House at Circuit Playhouse, and Muriel in Dirty Rotten Scoundrels at Germantown Community Theater. Recent roles in Memphis include Hannah in Angels in America: Millennium and Angels in America: Perestroika, Grandma in Billy Elliot, Electra in Gypsy, and Mrs. Brill in Mary Poppins. Jeanna is happy to be working again with Dan McCleary, some old friends, and some new ones, too. As life and art inevitably coincide, Jeanna is enjoying her journey with this colorful character.
Michael Khanlarian* (Bob Ewell in To Kill A Mockingbird; Prince in The Romeo and Juliet Project; Leonato/Watch #4 in Much Ado About Nothing) is a founding member of TSC where his credits include To Kill A Mockingbird, Henry V, Twelfth Night, Othello, As You Like It, and Romeo and Juliet. Michael is a graduate of the University of Memphis.
Meredith Koch (Maudie Atkinson in To Kill A Mockingbird) is a singer-songwriter/actor and native Memphian. Favorite credits include Ring of Fire (June Carter Cash), Steel Magnolias (Shelby Latcherie), Belles (Paige Walker), and The Scarlet Pimpernel (Marie Tussaud). Meredith studied drama as an Acting Apprentice with Vassar and New York Stage and Film’s Powerhouse Theater, where she played Susan in Vinegar Tom. She recently graduated with her B.A. in Professional Writing from the University of Memphis. As always, she is grateful for the love and support from her family and boxer pup, Bella. A special thanks goes also to Dan and the cast/crew for making To Kill A Mockingbird such a wonderful experience. Find her online at www.meritkoch.com.
Roman Kyle (Tom Robinson in To Kill A Mockingbird; Romeo in The Romeo and Juliet Project) recently graduated from the University of Memphis with a B.F.A. in Theatre. TSC: A Midsummer Night's Dream (Demetrius) and The Romeo and Juliet Project (Romeo). He also appeared in As You Like It (LeBeau) at Theatre Memphis, Sarafina: The Musical (Crocodile) at Hattiloo Theatre, Blues for an Alabama Sky (Leland) at the University of Memphis, and All the Way (Stokely Carmichael) at Playhouse on the Square. He recently finished production of an upcoming new comedy called The Drag Boat at Evergreen Theatre, playing the ship's doctor, and a film titled I Think I Can be a Doctor (Darius/X-Ray Technician). He thanks all of his family, friends, and loved ones for their support.
Harper Lee (Author) is the creator of To Kill a Mockingbird, the 1960 Pulitzer Prize-winning novel which provides the foundation for this approved stage adaptation. Along with the recently-released Go Set a Watchman, the stories are woven from Ms. Lee’s life. She was born Nelle Harper Lee on April 28, 1926, in Monroeville, Alabama, the youngest of four children of lawyer Amasa Coleman Lee and Frances Cunningham Finch Lee. She didn’t use the name Nelle (Ellen spelled backwards) for her book because she didn’t want to be called Nellie. But her friends and family always called her Nelle (pronounced Nell). President Obama, who presented her with the National Medal of the Arts in 2011, said "What that one story did, more powerfully than one hundred speeches possibly could, was change the way we saw each other, and then the way we saw ourselves. Through the uncorrupted eyes of a child, she showed us the beautiful complexity of our common humanity, and the importance of striving for justice in our own lives, our communities, and our country. Ms. Lee changed America for the better. And there is no higher tribute we can offer her than to keep telling this timeless American story — to our students, to our neighbors, and to our children — and to constantly try, in our own lives, to finally see each other." Though she died earlier this year at the age of 89, Ms. Lee has said of herself, “I am still alive, although very quiet.”
Ashley Asiarae Mahone (Lady Capulet/Balthazar in The Romeo and Juliet Project) is more than enthusiastic to not only be awarded the opportunity to choreograph with TSC but to also have the opportunity to take her first walk with the work of Shakespeare. Her normal entanglement with theatre includes musical titles such as Mamma Mia! (Lisa), Memphis (Ensemble), American Idiot (Ashley), In the Heights (Nina Rosario), and The Golden Fruit (Cat-Rat). She is eager to be once again shaping the minds of children through this project after directing both Musical Theatre and Dance Theatre for both Born2Dance and Hattiloo’s Camp Awareness. Up next for this young artist is to choreograph/co-direct the Langston Hughes opera, Only Heaven, in February 2017 alongside the creative Morgan Beckford.
Dan McCleary+ (TSC's Founder and Producing Artistic Director; Director of To Kill A Mockingbird and Much Ado About Nothing) is a native Memphian and a graduate of Germantown High School and its Poplar Pike Playhouse. Dan directed and acted in TSC’s inaugural production of As You Like It (Jaques) as well as The Glass Menagerie (Old Tom) and The Taming of the Shrew (Sly). He directed TSC’s To Kill a Mockingbird, Hamlet, The Tempest, Macbeth, A Midsummer Night’s Dream, all-female Julius Caesar, Othello, Complete Works of William Shakespeare (abridged), and Themes from a Midsummer Night. He also has directed productions of As You Like It at Orlando Shakespeare Theater, The Servant of Two Masters outdoors in downtown Atlanta and at Seattle Shakespeare Company, and All’s Well That Ends Well at Georgia Shakespeare Festival. At the Orlando Shakespeare Theatre, he directed the Buster Keaton world premiere of The Stone Face and played the title roles in Antony and Cleopatra and Richard III, Brutus in Julius Caesar, Porfiry in Crime and Punishment, Petruchio in The Taming of the Shrew, and Falstaff in The Merry Wives of Windsor. As Associate Artistic Director at Shakespeare & Company in the Berkshires, Dan acted in and directed over 30 productions, appearing as Coriolanus, Macbeth, Herman Melville, Stephano, Don Armado, Hotspur, Master Ford, Bertram, and Antipholus/Dromio of Ephesus. He directed S&Co’s first production of The Servant of Two Masters, also his own adaptation of Anaïs Nin’s Henry & June, Vita & Virginia, My Own Stranger, and The Fiery Rain. Other Regional/New York theatre: Merrimack Rep, North Shore Music Theatre, Actors Theatre of Louisville, StageWest, Alabama Shakespeare, Arden Theatre, Studio 4-A, and Huntington Theatre. Dan is a published poet and teaches Shakespeare master classes around the country. Memphis Magazine has named him among the “Who’s Who in Memphis” for four years, and the Germantown Arts Alliance honored him with its 2009 Distinguished Arts and Humanities Medal for Performing Arts. He holds a B.A. in Advertising and Journalism from Temple University. Dan is the proud dad of six-year-old twin boys, Sullivan and Collins.
Tony Molina, Jr.* (Reverend Sykes in To Kill A Mockingbird; Benedick/Watch #2 in Much Ado About Nothing) is a proud founding member of TSC, having been seen previously as Rev. Sykes in To Kill a Mockingbird, the title role in Macbeth, Bottom in A Midsummer Night’s Dream, and Duke Frederick and his brother in As You Like It. At Shakespeare and Company, he played Othello, Mercutio, and Dromio of Syracuse, in addition to many other roles. At Swine Palace at LSU, he played Didi in Waiting for Godot, Oberon in Midsummer, and Belize in both Angels in America: Millennium Approaches and Angels in America:Perestroika. At the Colorado Shakespeare Festival, he played Petruchio, Banquo, and Claudius in Hamlet. At the Tulane Shakespeare Festival, he played Hamlet, Othello, Feste, and Autolycus, as well as many others. He played the police captain on HBO's Treme for two seasons, and he was also been seen in eight episodes of True Detective. Tony is thrilled to be back home.
Melissa A. Nathan* (Production Stage Manager for Much Ado About Nothing) is thrilled to be back with TSC for her fourth season. TSC: The Taming of the Shrew, Richard III, Twelfth Night, and All’s Well That Ends Well. Her favorite credits include: The Mousetrap (Alabama Shakespeare Festival); The Winter’s Tale, The Real Inspector Hound, and What the Butler Saw (Theater at Monmouth); Underneath the Lintel and Side By Side By Sondheim (Riverside Theatre); RED (Triad Stage); Educating Rita (Florida Rep); Bonnie & Clyde (Asolo Rep); Measure for Measure and The Imaginary Invalid (Orlando Shakespeare Theatre). She is a proud member of Actors Equity and is an executive board member of the Stage Managers’ Association.
Charisse Norment (Benvolio/Captain of the Watch/Friar John in The Romeo and Juliet Project) is a graduate of the University of Memphis with a BFA and concentration in Performing Arts. She is very excited to be back with Tennessee Shakespeare after previously performing and teaching with The Romeo and Juliet Project last spring. She has also performed in several different productions around Memphis, including Fabulation, Polaroid Stories, The Government Inspector, and Medea. She is very thankful to God, her parents, and TSC for granting her this opportunity to further her craft.
Joshua Pearce (Jem in To Kill A Mockingbird) is an eighth grade student at Lausanne Collegiate School, where he takes Advanced Performing Arts (APA) elective classes. He has performed in many Lausanne productions, including School House Rock Live, Jr. (Joe) and Beauty and the Beast, for which he received the Best Male Ensemble Actor award. Josh wishes to thank his APA teachers, Mrs. Ashley Bugg Brown and Mrs. Cynthia Romoff, for inspiring his love of music and theatre. He also wishes to thank Mrs. Tracey Ford for encouraging him in his first professional audition. He is especially grateful to Tennessee Shakespeare Company’s director and actors for their mentorship and guidance in his professional debut.
Kristen Reding (Assistant Lighting Designer for Much Ado About Nothing) is a third year M.F.A. candidate in Lighting Design at the University of Memphis. She has worked with TSC, Theatre Memphis, Desoto Family Theatre, Summer Repertory Theatre Festival in Santa Rosa, CA, and Six Flags Over Texas. Kristen was nominated for a Desoto Alley Award for Lighting Design in 2016 and won an Ostrander Award in Lighting Design for the University of Memphis’ production of Oklahoma! She is a graduate of Texas A&M University with a B.A. in Technical Theatre. Kristen would like to thank Hunter and her parents for their constant support.
Brianna Roche (House Manager for Much Ado About Nothing) is a senior Performance B.F.A. student at the University of Memphis. She recently appeared in A Flea in Her Ear as Lucienne, and will be playing Isabella in the University's upcoming production of Measure for Measure. Her previous house managing credits include TSC’s Henry V, Temple of the Dog (Voices of the South), and The Musical Theatre Practicum (University of Memphis). She is ecstatic to be teaming up with Tennessee Shakespeare again and owes her thanks to Dan McCleary for this opportunity.
DeAnna Rowe (Costume Designer for To Kill A Mockingbird) is the Assistant Professor of Costume Design at the University of Memphis Theatre Department. She received her M.F.A. in Costume Design from the University of Missouri, Kansas City. She has taught at Allentown College of St. Francis DeSales, Ohio University, and The Art Institute of Hollywood, California. DeAnna has worked from coast to coast. Some of her favorite collaborations include South Coast Repertory Theatre in Costa Mesa, CA, The Laguna Playhouse, Missouri Repertory Theatre, Kansas City Ballet, American Players Theatre, Pennsylvania Shakespeare Festival, Colorado Shakespeare Festival, and Glimmerglass Opera. She recently worked with William Ivey Long Studios on the touring production of Rodgers and Hammerstein’s Cinderella. DeAnna is the owner and designer at Gypsy Dream Studios, where she designs and creates one-of-a-kind costumes to help her clients invoke their inner Superheroes and Unconventional Wedding Dreams.
Brian Ruggaber (Scenic/Props Designer for Much Ado About Nothing) is proud to return to TSC for a third season (Henry V, All’s Well That Ends Well, A Midsummer Night’s Dream, Twelfth Night, Richard III). A recent transplant to Memphis, TN, he is an award-winning scenic designer who currently heads the Scenic Design Program at the University of Memphis. He has designed scenery for over 130 productions, including Opera, Drama, Musical Theatre, and Dance. Prior to joining UM’s faculty, he was an Assistant Professor of Scenic Design at University of Cincinnati’s College-Conservatory of Music (CCM) and an Associate Professor of Design at The University of North Carolina at Charlotte. He is a proud member of United Scenic Artists Local 829 and has a M.F.A. from The University of Massachusetts and B.F.A. from Virginia Commonwealth University.
Brian Webb Russell* (Don John/Dogberry in Much Ado About Nothing) joins TSC for the first time from Nashville, where he just completed a successful run of Nashville Repertory's Noises Off and will return there in January to start rehearsals for Treasure Island for the Nashville Children's Theatre. No stranger to Shakespeare, Brian has been seen as Prospero in The Tempest, Brutus in Julius Caesar, and Polonius in Hamlet with the Nashville Shakespeare Festival, among others. Regional credits include Arkansas Repertory Theatre, American Stage Theatre, Nashville Opera, Grand Valley Shakespeare Festival, Pigeon Creek Shakespeare Festival, and Kentucky Repertory Theatre.
Ashley Selberg (Costume Designer for Much Ado About Nothing) is a native of Germantown, TN, and graduated from O’More College of Design with a B.F.A. in Fashion Design. Ashley is currently a costume technician for Ballet Memphis and has worked as a costume tech for TSC on The Taming of the Shrew, Richard III, and assisted with additional costume design on Romeo and Juliet. Previous credits include 2012 & 2013 Eloise Fashion Show, Dr. Jekyll and Mr. Hyde (Nashville Repertory Theatre), Guys and Dolls (Middle Tennessee State University), and Beauty and the Beast (Theatre Memphis). She also enjoys freelance designing for cosplayers and Renaissance Faires. She is excited to be working with TSC once again, and would like to thank her wonderful family and friends for their continuous support and love.
Cally Shine (Juliet in The Romeo and Juliet Project; Hero/Verges in Much Ado About Nothing) makes her TSC mainstage debut, having just finished playing Juliet in this year’s Romeo and Juliet Project. Her regional credits include Montana Repertory Theatre’s All My Sons (2016 National Tour), Seattle Shakespeare Company’s The Merchant of Venice, A Midsummer Night’s Dream, Richard II, and Macbeth, Book-It Repertory Theatre’s Breathing Lessons, and Idaho Repertory Theatre’s staged reading of Happy. Her favorite educational credits include Bridget in Translations, Yasmin in Pentecost, and Anya in The Cherry Orchard. Cally is a Seattle, WA, native and a graduate of the University of Montana.
Stephanie Shine* (Asst. Stage Manager; General Manager; Education Director) is the creator of The Romeo and Juliet Project as well as a resident artist for TSC. Her TSC directorial credits include Henry V,Romeo and Juliet (2011-12, 2014-16), It's a Wonderful Life: A Live Radio Play (2012-13), Southern Yuletide, and the touring shows Shakespeare's Greatest Hits, Shake(s), Rattle, and Roll, and Shakespeare Said It! Onstage, she performed the female role in Unto the Breach and appeared as Gertrude in Hamlet. In addition, Stephanie serves as the annual Gala's Auctioneer and has curated and directed TSC's Literary Salons. From 1998 until love brought her to Memphis in 2011, she was the Artistic Director of Seattle Shakespeare Company. For SSC, she directed 17 productions including The Threepenny Opera, Cyrano de Bergerac, and the lauded all-male Taming of the Shrew. Other directorial credits include The Taming of the Shrew and The Comedy of Errors for Colorado Shakespeare Festival, the award-winning one-woman internationally touring Marilyn Monroe Biopic, Marilyn: Forever Blonde, and several new works for Seattle's Book-It Repertory Theatre. Her production of I am of Ireland opened Book-It's 25th Anniversary Season in September of 2014. As an actor, she has performed with The Oregon Shakespeare Festival, NYC's Theatre for a New Audience, Shakespeare Theatre of New Jersey, Seattle Repertory Theatre, The Alley Theatre in Houston, Arizona Theatre Company, ACT, The Empty Space, and Seattle Children's Theatre among others. Her Shakespeare roles include Juliet, Rosalind, Lady Macbeth, Beatrice, Regan, Feste, Kate, Bianca, Dionyza, The Princess of France, Hero, Perdita, and The Chorus in Henry V. Ms. Shine is a graduate of both the Pacific Conservatory of the Performing Arts and the University of Washington's Professional Actor Training Program under Bob Hobbs. She is the lucky mother of Conor, Cahilan, Sullivan, and Collins.
Nathan Snow (Mercutio/Paris in The Romeo and Juliet Project; Claudio/Sexton in Much Ado About Nothing) is from Livingston, Montana, where he cultivated a love of theatre and the arts from a young age. A recent graduate from the University of Montana with a B.F.A. in Acting, Nathan is excited to see what the next few years have in store for him. Favorite University roles include Benvolio in Romeo and Juliet and Billy Bones in Treasure Island. Nathan spent the summer honing his comedic chops as a company member of the Brewery Follies in Virginia City, MT, and he has been grateful to be part of Tennessee Shakespeare Company's Romeo and Juliet Project this autumn.
Carolyn Spratley (Mrs. Dubose in To Kill A Mockingbird) is pleased to join Tennessee Shakespeare Company and this production. In the past 29 years, she has been privileged to work in most of the theatres in this area. A few of her favorite roles are Mrs. Holly in Suddenly Last Summer (TM/Little Theatre & McCoy), Ann in The Cocktail Hour (Circuit), Mrs. Tilford in The Children's Hour (GCT), Felicity in The Shadow Box (McCoy), Grace in Grace and Glorie (GCT), Hannah in The Spitfire Grill (GCT), Sarah in The Quilters (GCT) and Bunny in A Murder is Announced (GCT). She thanks her husband, Jim, for his support and Jeanna and Lorraine for their encouragement. She is also grateful to Dan for giving her the opportunity to work with such a prestigious company.
Patrick Ryan Sullivan* (Atticus Finch in To Kill A Mockingbird) is excited to be returning to the state where he spent his formative years and in a show that is this timely and important. His Broadway credits include Julian Marsh in 42nd Street, Gaston in Beauty and the Beast, and various roles in Titanic. Other favorites include Oberon in A Midsummer Night’s Dream, Sweeney in Sweeney Todd, Serge in Art, Flynn in Doubt, LockStock in UrineTown, Tito in Lend Me a Tenor, Javert in Les Miserables, Higgins in both Pygmalion and My Fair Lady, Get Got at the Edinburgh Festival, Chicago in China, Victor in Empty Plate, The Burnt Part Boys, Petey in Tuna Christmas, and Miles and Senex in Forum. www.PatrickRyanSullivan.org
J.D. Sutton* (Judge Taylor/Mr. Cunningham in To Kill A Mockingbird) is an actor and playwright whose credits include regional theatre, cabaret, and dinner theatre productions. Favorite roles include Don Quixote in Man of La Mancha, Scrooge in A Christmas Carol, and the title role in Sherlock Holmes. His solo play about Thomas Jefferson, Twilight at Monticello, has been presented off-Broadway and at venues throughout "the original 13,” including Philadelphia's historic Carpenters' Hall. His most recent play, My Master, My Slave, My Friend, about Jefferson and the slave he was raised with, was named Critics’ Choice for Best Drama at this year’s Orlando International Fringe Festival. He and his wife, Amy, share their Central Florida home with their “furry children,” all of which are rescued.
Erin Joy Swank* (Production Stage Manager for To Kill A Mockingbird) makes her TSC debut, capping a widely varied year including La bohème in a Spiegeltent (Crested Butte Music Festival), the musicals Crowns and My Fair Lady (Skylight Music Theatre), and Bach’s St. Matthew Passion (Central City Opera). Previous credits include touring with the Radio City Christmas Spectacular – featuring the Rockettes and three adorable camels – and as Production Stage Manager for the Tennessee Rep. She is a proud member of Actors’ Equity, the Stage Managers’ Association, and the United States Institute for Theatre Technology – which includes mentoring for the Gateway Program, connecting with students and young professionals from under-represented populations within the industry. In true Colorado fashion, Erin also works as a part-time river guide.
Carey Urban* (Beatrice/Conrade in Much Ado About Nothing) is delighted to return to TSC, where she previously appeared in Twelfth Night (Viola) and Romeo and Juliet (Juliet). Most recently she appeared at Palm Beach Dramaworks (Long Day's Journey Into Night) and BAM's Next Wave Festival (Alas, the Nymphs). Other favorite credits include Cymbeline (Imogen) with Orlando Shakespeare Theater, Taming of the Shrew (Kate) with Soho Rep, and Cabaret (Sally Bowles) with TriARTS. She is a “repeat offender” with The Queen's Company, based in NYC, and a co-founder of the short-lived but highly acclaimed Fools' Theatre. She stars in the web series Hands of Fate (available on YouTube) and has appeared in several commercials. Thanks to Dan and Barbara!
Ann Perry Wallace (Calpurnia in To Kill A Mockingbird) is an actor and writer, and she is thrilled to be working with Tennessee Shakespeare. She is equally thrilled to be working with her youngest daughter. She holds a Bachelor’s Degree in Theatre from UT Chattanooga and is a company member of the improv group, Playback Memphis. Some of Ann’s other theatre credits include No Niggers, No Jews, No Dogs; Blues for an Alabama Sky; From the Mississippi Delta; The Death of the Last Black Man in the Entire World; Women in Shakespeare, and most recently Romeo and Juliet with TSC’s Education Program. Ann can also be seen in the independent films 100 Lives, The Romance of Loneliness, and The Department of Signs and Magical Intervention.
Phil Darius Wallace* (Don Pedro/Watch #3 in Much Ado About Nothing) is a founding member with Tennessee Shakespeare Company. He has appeared in Henry V, A Midsummer Night’s Dream, Twelfth Night, Macbeth, Hamlet, The Taming of the Shrew, Romeo and Juliet, The Tempest, and As You Like It. Currently, he is touring his Off-Broadway show Self-Made Man:The Frederick Douglass Story around the country. His film credits include Live the Dream, The Department of Signs and Magical Intervention, and the TV stream Farell.
Violet McKenna Kay Wallace (ensemble in To Kill A Mockingbird) is an exuberant, feisty, sweet six-year-old girl who loves to play make-believe and dress as all kinds of characters. She loves history, her school, her family, and God. She makes her stage debut with To Kill a Mockingbird and was terribly worried that she would actually have to kill a mockingbird. Her fears allayed, she accepted the role. She is excited to work with the other actors, especially her mother.
Olivia Warfield (Company and Box Office Manager) is a native Memphian and alumna of Rhodes College, where she received her B.A. in International Business. During her college career, she had the opportunity both to travel extensively abroad and to work at Memphis in May International Festival, during which time her passion for the arts, culture, and the nonprofit mission was planted and now has bloomed. Olivia brings a wealth of skill and natural talent to her role welcoming TSC patrons and artists.
Nancy Wright (Bookkeeper) has provided bookkeeping services for small businesses in both the private and public arena for more than 20 years. She obtained her B.S. from UT Knoxville.
Kilby Elisabeth Yarbrough (Assistant Stage Manager for To Kill A Mockingbird and Much Ado About Nothing; Understudy for Hero/Margaret in Much Ado About Nothing) is a freelance theatre artist in Memphis, specializing in Shakespeare performance as well as costume design. She holds a degree in Theatre from Rhodes College, and she is now the Costume Shop Supervisor for the McCoy Theatre there. She was a member of TSC's inaugural Young Company in 2010. She went on to train at the Royal Academy of Dramatic Art in London in 2012. Favorite roles include Rosalind in As You Like It, the Witch in Into the Woods, Olivia in Twelfth Night (McCoy), Jane Wilson in Free Man of Color (Hattiloo), and Anna in Spring Awakening (Circuit Playhouse). Favorite costume designs include "Black Orchid," "Lineage," (Collage Dance Collective); Good Boys and True, and 25th Annual Putnam County Spelling Bee (McCoy).
* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Mangers in the United States.
+ Member of The Society of Stage Directors and Choreographers, Inc., an independent national labor union.
Much Ado About Nothing
a holiday revel of comic romance
by William Shakespeare
directed by Dan McCleary
sponsored by Pat, Ernest, Martha, & Marian Kelly
(4339 Park Avenue, Memphis 38117)
Produced under agreements with the professional entertainment unions: Actors’ Equity Association and The Stage Directors & Choreographers Society
“I do love nothing in the world so well as you – is not that strange?”
Decked to delight in tuxedoes and gowns, these holiday revelers merry-make with one of the most popular comedies in the English language.
Now returning from their victorious war in the trenches, the officers enter the Dixon armed only with cocktails. The ladies they return to prove more of a challenge than that on the battlefield. World-weary Benedick and gallant Claudio encompass sharp-tongued Beatrice and fair Hero with altogether different romances – the one in denial and the other aflame. High spirits play out in the Dixon masque as youthful passions run riot, lovers are deceived, and eternal bliss is threatened – though not before domestic tranquility wins out with the disassembled help of constable Dogberry and his faithful Watch.
Box Office Information
General Admission tickets are on sale now, Monday – Friday, 9:00 am – 5:00 pm at TSC’s office located within The Shops at Forest Hill at 3092 Village Shops Drive, Germantown, TN 38138 (near Target); by calling 901-759-0604, or by going on-line to www.tnshakespeare.org (Twitter: @tnshakespeare).
Ticket prices, unchanged from last season, are $34.
Dixon members receive 20% off all Much Ado About Nothing performances (no other discounts may apply).
Tickets for the Preview performance (December 8 at 7pm) are only $16.
Both Thursday night performances (December 8 and 15 at 7pm) are Free Will Kids’ Nights: Children 17 years and younger are admitted FREE when accompanied by a paying/attending Guardian.
The Opening Night performance (December 9 at 7pm) includes a complimentary post-show reception with the actors.
Senior tickets (62 years and older) are $29, and Student tickets (18 years and younger) are $16 for any performance.
Free parking. No refunds or exchanges. Credit card charges require a $1 per-ticket fee. Title, cast, and schedule are subject to change with notice.
Open Position: Education and Outreach Manager
Beginning: October 31, 2016
About Tennessee Shakespeare Company
Founded in 2008, TSC is the Mid-South’s professional, classical theatre, education, and training organization. TSC produces in all three areas year-round throughout the Memphis area and the southeastern United States. It employs all of the performing arts unions and brings artists in from all over North America to perform and/or tour in three to six productions per year. Seeking to attain its first physical home in the near future, TSC has created a New Home Committee that will shortly launch a capital campaign to that end. TSC performs, teaches, and works in multiple environmental spaces with an FY17 operating budget of approximately $700,000.
Education Manager Responsibilities
Supervised by General Manager, with on-the-job training provided by outgoing Manager
Market/Promote/Sell TSC's Education programs to meet budgeted income goals, serve as many patrons as possible, and elevate the visibility of the program:
- Create marketing timeline and adhere to it,
- Develop, with General Manager, promotional materials and opportunities,
- Oversee the design, production, and distribution of this material and promotions,
- Develop electronic and social media campaigns and communications for Education Programs,
- Create and discover new audiences for TSC programs,
- Keep to budgeted marketing and program expenses, and achieve agreed-upon budget goals with cognizance that the numbers we serve are as important as the fiscal numbers.
Manage communication/booking/scheduling for all of TSC's Education/Outreach programs:
- Create and manage the master calendar of Education/Outreach events,
- Manage all bookings, including schedules, appearances, contracts, invoices, payments, directions, and specific instructions for the Actor-Teachers booked for the program,
- Collect and record all feedback and post performance/playshop/residency surveys,
- Assist Development efforts with data for grants and donors,
- Maintain positive relationships with schools and teachers.
Romeo and Juliet Project Master Teacher:
- Master the curriculum, teaching aesthetic, and mission of The Romeo and Juliet Project in order to become a Teaching Artist resource as well as Teaching Artist in the classroom,
- Update curriculum developments.
- Serve as Producer and Director of the Summer training offerings for youth.
Community Relations Responsibilities
- Make regular appearances at community events,
- Recruit volunteers for TSC's Groundlings organization,
- In support of Company Manager, solicit community support via ad sales to appear in TSC playbills.
Support for Gala and events:
- All TSC staff members support TSC events by attending (when asked) Opening Nights, Salons, Dinners, etc.,
- All TSC staff members work and support the annual Education Gala.
At the conclusion of current fiscal year (June 30, 2017), it is hoped this employee will move forward as TSC restructures its administrative staff and assume the Directorship of the Education Department in addition to its managing. Other responsibilities will be negotiated.
Successful candidates will have a passion for Shakespeare's works and an ideology that is open to melding with the TSC artistic aesthetic, as well as its mission and values. Theatre as a way to serve and elevate our community, and even activate social change, is an example of an essential shared goal.
Successful candidates should have an advanced degree or comparable professional experience; and will provide outstanding coordination, organization, timeliness, and communication skills to the position.
Successful candidates must have a working automobile, valid driver’s license, and auto insurance; and be available occasionally for early morning classes and nighttime performances while in production.
This position is full-time, 40 hours per week based on 8am-4pm Monday-Friday, and reviewable after one year. The annual salary is $30,000 plus, following an initial three-month trial period, health/dental plan coverage paid for by TSC (100%). Paid days off are accrued weekly up to ten (10) days per contractual year, plus select paid Holidays (Thanksgiving Day, Christmas Eve, Christmas Day, and New Year's Day).
Qualified applicants should send a cover letter outlining interest, experience, and potential fit for the position along with a resume that includes a history of not-for-profit or commercial success to Dan McCleary at firstname.lastname@example.org. Please list three references’ names and contact information. No phone calls, please. We thank all applicants for their interest; only those selected for an interview will be contacted.
Tennessee Shakespeare Company is an Equal Opportunity Employer and does not discriminate on the basis of race, ancestry, national origin, color, religion, gender, age, marital status, sexual orientation, disability, or veteran status. Only qualified candidates need apply.
Tennessee Shakespeare Company
Announces Full Ninth Season of Plays and Educational Activities for 2016-17
(Memphis, TN; August 11, 2016) -- Tennessee Shakespeare Company, the Mid-South’s professional, classical theatre, today announced its full 2016-17 season of plays, outreach programs, and Education initiatives in the Memphis area and beyond.
Launching TSC’s ninth season is its first production of Harper Lee’s To Kill a Mockingbird. Directed by TSC Founder and Producing Artistic Director Dan McCleary, the adaptation will perform in the Wiener Theater on the campus of Hutchison School in East Memphis from September 20 through October 2. The play is produced in partnership with Hutchison. The cast of 20 actors features Broadway veteran Patrick Ryan Sullivan as Atticus Finch, Memphian Ainsley Geno as Scout, and the return of TSC favorite Tony Molina, Jr. as Rev. Sykes.
Early Bird tickets are on sale now for To Kill a Mockingbird: the first 24 seats sold to each performance will be located in the new Best Seats section of the theatre.
In the winter, TSC returns to Dixon Gallery & Gardens for the holiday season with an elegant, celebratory Much Ado About Nothing befitting the season of cheer. Shakespeare’s romantic comedy, directed by McCleary, plays on the Winegardner Auditorium stage December 8-18.
The fun continues in early summer with Shakespeare’s boisterous comedy of mistaken identities. The Comedy of Errors, produced in partnership with the University of Memphis’ Department of Theatre & Dance, will play the U of M mainstage June 8-18, 2017.
The Southern Literary Salons return, featuring the works of Eudora Welty (Mississippi Myth) on January 27 and Flannery O’Connor (Georgia Gothic) on April 21. These literary parties in beautiful, private homes from 6:00-8:00 pm curate readings, light fare, and writer-specific libations.
Back by popular demand is The Shakespeare Brunch, featuring abbreviated, staged readings of a redemptive The Winter’s Tale (November 20) and a provocative The Merchant of Venice (May 21) preceded by an expansive brunch buffet and bar. Acted by some of TSC’s best-known actors, the Brunches run from 12:30-3:30 pm inside the elegant Memphis Hunt & Polo Club.
The season also includes the Eighth Annual Shakespeare Gala, bringing to Memphis a new Broadway headliner on Friday, March 10, 2017, at Germantown Performing Arts Center. The Gala, complete with lavish dinner and open bars located throughout the theatre, supports TSC’s nationally-acclaimed Education Program.
This season, the Education Program significantly expands its anti-violence schools residency and performance schedule of The Romeo and Juliet Project. Nine actor/teaching-artists will work in over 20 schools, largely underserved, in Shelby County from September through February, reaching more than 6,000 students. Shakespeare’s Greatest Hits, a fun 2-actor introduction to the playwright’s essential scenes and soliloquies, will tour schools and theatres throughout the southeastern United States. Both productions are created and directed by TSC Education Director Stephanie Shine.
TSC’s generous Mainstage title sponsors include FedEx; Dorothy O. Kirsch; Ernest, Pat, Martha, & Marian Kelly; Independent Bank; Tennessee Arts Commission; Ann and Wellford Tabor; and The University of Memphis.
TSC’s season partners are Dixon Gallery & Gardens, Hutchison School, Shelby County Schools, St. George’s Church, and the University of Memphis’ Department of Theatre & Dance. The season is funded under a Grant Contract with the State of Tennessee.
“Our ninth season is a response both to the world’s recent events and to our patrons’ desires,” says McCleary. “To Kill a Mockingbird is an American masterpiece of the 20th Century. It is time for each of us to pick up Harper Lee’s novel and read or re-read it. In Much Ado About Nothing, we are a nation of peace at home and abroad, and in this dream we go pleasure-seeking. Still, uninhibited love is surprisingly difficult to give away in this environment, to both comedic and tragic effect. And in Comedy of Errors, famous for its physical and archetypal humor, we find ourselves in a world in which the mortal threat to immigrants cannot prevent this non-traditional family, even after years of separation, from making a heart-felt discovery.
“I am deeply grateful to our season sponsors, production partners, and over 300 donors who make professional, classical theatre and our education programming possible. The work we do with children in our schools is immediate, impactful, proven, and a powerful model for successful replication throughout the United States. We live in a time when the arts, and experiencing Shakespeare’s plays, need to be at the center of our national educational curriculum, not subsisting on the fringes. They are not a luxury, they are for everyone. The works of William Shakespeare are our birthright, and if they are supported educationally and financially then we see first-hand how our children enthusiastically embrace his compassion, his poetry, and his open-hearted query of humanity.”